![]() The song isn’t a Domino original “Blueberry Hill” was first recorded in 1940 by the Sammy Kaye Orchestra and was a #1 hit for The Glenn Miller Orchestra in the same year.ĭomino’s third most popular song at Pandora is “I’m in Love Again,” another Domino-Bartholomew collaboration. “Blueberry Hill,” Domino’s second most popular song at Pandora, was the 19th best selling R&B record of 1957, hit #1 hit on the R&B chart, and reached #5 on the Hot 100. Right: Fats Domino performs live on stage at Concertgebouw in Amsterdam, Netherlands in 1973. (Credit: Bettmann/Getty Images) Middle: View of the marquee at the Paramount Theater, New York City in 1957. Left: Jerry Lee Lewis, Fats Domino, and James Brown stand together at the Waldorf-Astoria Hotel as inaugural Rock and Roll Hall of Fame inductees. Successful cover versions were recorded by young crooner Pat Boone later that year and rock group Cheap Trick in 1979. Released in 1955, “Ain’t That A Shame” reached #1 on the Billboard R&B chart and #10 on the broader Hot 100 singles chart. The most popular song in his voluminous catalog is “Ain’t That A Shame,” co-written by Domino and Dave Bartholomew, a songwriter and producer for Domino’s label through the early ‘60s, Imperial Records. To date, Domino has 75 million spins at Pandora. The guitar engages in a lively call-and-response with Domino’s voice, then the saxophone on “Don’t Leave Me This Way.” explosive in the song “Hey! Bas Boogie” - Electric guitar riffs. This is heard throughout his catalog but is familiar in “Blueberry Hill” and “Ain’t That A Shame.” - Prominent piano soloing. This can be heard in one of Domino’s defining songs, “Blueberry Hill.” - Blues chord progressions. Playing R&B and rock & roll allowed Domino’s voice to loom large. Piano, drums, stand-up bass, and electric guitar. Mixed acoustic and electric instrumentation. His music is in our DNA.”Ī glance at some of the top musical traits of Domino’s music, pulled from Pandora’s Music Genome Project, shows some qualities of prototypical rock music: “When you listen to those recordings or Tom Petty’s cover of ‘I’m Walkin’’ or Norah Jones singing ‘My Blue Heaven’ it’s obvious how important his music is to a far-reaching array of musicians and music lovers. Domino’s impact on music made him one of the 10 first inductees into the Rock and Roll Hall of Fame. “Not even Paul McCartney’s imitation of him on ‘Lady Madonna’ nor Cheap Trick’s buttoned-down, power pop cover of his ‘Ain’t That a Shame’ could hold a candle to Fats Domino’s thick Cajun boogie,” says Eric Shea, lead curator and rock programmer at Pandora. (Click here for a tribute station at Pandora, “Remembering Fats Domino.”) Born February 26, 1928, Domino became a foundation of R&B and rock and roll, his music influenced by an upbringing in New Orleans and exposure to the city’s vibrant jazz heritage. Music icon Antoine “Fats” Domino passed away Tuesday, leaving a legacy and an incalculable impact on future generations of musicians and fans. (Photo by Clive Limpkin/Daily Express/Hulton Archive/Getty Images) We lost a Rock and Roll legend today.Fats Domino, March 27th, 1967. RIP fats domino… you helped pave the way for new orleans piano players… see you on top of that blueberry hill in the sky ❤️□□❤️ Do yourself a favor and keep right on exploring. What an amazing man, with so much to offer. It’s pure ‘50s New Orleans R&B, full of feeling, talent and swagger. “Please Don’t Leave Me” – This is my all-time favorite recording by the legendary Fats Domino. Get more of our music coverage on Flipboard. And he proved it on this dizzying up-tempo gem, which sounds best when played loud. “Domino Stomp” – He was one of the greatest pianists in the history of popular music.
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